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Language: en
Pages: 288
Pages: 288
Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has su
Language: en
Pages: 362
Pages: 362
Language: en
Pages: 290
Pages: 290
Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fictio
Language: en
Pages: 250
Pages: 250
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music
Language: en
Pages: 238
Pages: 238
This book examines the often-complex relationships between issues of gender and the environment in science fiction films and fiction. Its contributors discuss a
Language: en
Pages: 181
Pages: 181
The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hiera
Language: en
Pages: 105
Pages: 105
Inhaltsangabe:Abstract: In this master thesis the author explores the development of sound design from beginning of sound film until now. The paper explains the
Language: en
Pages: 789
Pages: 789
The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established
Language: en
Pages: 689
Pages: 689
A practitioner's guide to the basic principles of creating sound effects using easily accessed free software. Designing Sound teaches students and professional
Language: en
Pages: 250
Pages: 250
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music